It’s Been 7 Hours And 15 Days – Official Music Video’ Nothing Compares To You’ By Prince

It’s Been 7 Hours And 15 Days is the lyrics of an official music video “Nothing compares to you.”

“Nothing Compares 2 U” is a song Prince wrote and composed for his side project, The Family; the song from her 1985 debut album of the same name. However, the lyrics explore feelings of longing from the perspective of an abandoned lover.

Prince freed his version of “Nothing Compares 2 U” in 1993 with Rosie Gaines as a guest singer. This live version of the song was comprised of his compilation album The Hits / The B-Sides. Her original studio recording of the song in 1984 was eventually released as a single in 2018 and later in the posthumous Originals compilation of 2019.

Watch the video here: https://www.youtube.com/watch?v=0-EF60neguk

Concept Of It’s Been 7 Hours And 15 Days

Directed by John Maybury, the video consists mainly of a close-up of Sinéad O’Connor’s face as she goes through periods of sadness and anger as she sings the text; the rest consists of his stroll in the park Saint-Cloud in Paris. Towards the end of the video, two tears roll down her face, one on each cheek. O’Connor said his tears were real. She had no intention of crying but thought, “I should let this happen.” She explained that she got the tears by thoughts of her mother, who died in a car accident in 1985. In the mid and at the very end of the video, there is a picture of O’Connor’s photoshoot for the album cover “I Do Not Want What I Haven’t Got.”

Reception Of It’s Been 7 Hours And 15 Days

At the awards of 1990 MTV Video Music, the music video won three Moonmen: Video of the Year -O’Connor was the first female artist to be recognized), Best Female Video and Best Postmodern Video. At the ceremony, he got the nomination for Breakthrough Video, Viewer’s Choice and International Viewer’s Choice. Moreover, the video has also been the subject of numerous parodies and parodies, such as Fast Forward’s Gina Riley’s “Nothing Is There” parody, which referred to O’Connor’s tendency to shave his head bald.

More About It’s Been 7 Hours And 15 Days Lyrics

It has been 7 hours and 15 days since he left. Prince passed away 15 days ago, and we still mourn one of the greats of popular music.

His music is so moving and haunting that it’s easy to overlook the power of his lyrics. He was shockingly straightforward about sex, but he could sympathize with either sex beyond that. We’re so used to the macho male perspective in pop music that hearing a man express it with such tenderness and understanding what it means for men and women to wish and love has been a revelation.

At the beginning of It’s Been 7 Hours And 15 Days track, I misquoted Nothing Compares To U, one of the best songs about loss. Thanks to the iconic Sinead O’Connor version, the song is so tied to the female experience that it is sometimes forgotten that it was written by Prince and spoke of when he was first released on The Family album from the perspective of a man who missed her friend. O’Connor’s version is so ingrained in our minds that when Violet released a new version a few years later, it was best to share the voice with a woman – the inimitable Rosie Gaines.

Fifteen Days is Probably Better Than Thirteen

As with all great songwriters, Prince’s lyrics are a part of the music as an instrument. Like any great poet or even copywriter, he conveys meaning through the sound of words and the choice of the comments themselves.

In O’Connor’s version of “Nothing Compared to U,” the line reads: “It’s been 7 hours and a fortnight since you left.” It is not apparent if she changed it, but Prince recorded the song both times. It was “thirteen.” Days’. What is the difference?

That is to say, fifteen days is probably better than thirteen because it is a more extended period, which shows that the fear of loss has passed to the third week and is still counting the hours.

Lyrics “Thirteen”

As for lyrics, “thirteen” works best. First, the word itself is more engaging. It is a primary number, so it does not appear as a multiple of smaller numbers. Even when we were learning our multiplication tables, we usually stopped at 10 or 12. Everyone widely considers it as an unlucky number.

Then there is the sound. The short “i” of “fifteen” interrupts the rhythm of the sentence, while “their” continues the long vowels “hours,” “teen,” and “days.” However, the effect of this drawn line is to transmit through the sound of the words the feeling that he can hardly get the terms out, so much is the pain of his loss.

So, “Thirteen” wins “Fifteen,” and Prince again shows why nothing compares to him.

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